Please email Kimbi Hagen at scheduler@contradance.org or text/call me at 404-310-0929 to book a gig.
Unless you have played for CCD before, please include names and contact information for three schedulers from recent dances for which you have played. Also include, if available, a link to an MP3 file or YouTube video of your music. If you are booked to play for one of our dances, this file (or your FB / website) will be linked to your name on our web schedule.
CCD has a Band Development Committee that evaluates requests by bands that have not played our stage before. I will forward the information you send me for reference checking and then get back to you after I hear from them.
Thank you for your interest in playing for our contra dance. The information below collectively constitutes the Atlanta Contra Dance (ACD) Band Contract. Please contact me with any and all questions, using the contact information listed below, and email me to say that you accept the terms.
= Kimbi Hagen
ACD Music & Mic Magician Talent Wrangler
If you don’t already know who it is, the Caller you will be working with will be listed on the ACD website schedule. Their version of this contract stipulates that if they have a specific tune they want played during the program please they need to let you know at least 2-3 weeks in advance of your gig in order to ensure that you have adequate time to either learn / practice it, if necessary, or say “No Dice.”
Speaking of callers… Please feel free to ask them before a particular dance begins if it will be one in which they (the Caller) expects to drop out early (What this means: “Play a tune you really want to showcase since it won’t be competing with the caller’s voice“) or late / not at all (What this means: “Play a tune with a particularly pronounced beat because this dance will be sufficiently tricky that the dancers may need extra help staying on phrase“).
Unless I notify you otherwise, we will be dancing at the Decatur Recreation Center (DecRec), one block from the square in downtown Decatur at 231 Sycamore, Decatur, GA 30030.
Inside DecRec we dance either in the Gym (it is cooler in the summer and has better air movement) or in the Studio (it is smaller, so tends to generate more dancer energy). We MIGHT not know which space we are using until the day of the dance but a good rule of thumb when sussing out where the action will be is: “We dance where the Sound Wizard is.” So, upon your arrival, look for them.
We pay $300 (per band, not per person) for stage time plus a graduated amount towards travel expenses (see below). This does not include what we will pay the Caller or sound crew; that will be handled separately.
The ACD Board has transitioned from paying in cash to paying, when possible, electronically. Once we have solidified a date on the schedule I will send you a link to the payment form that you should fill out, after forwarding the link to everyone else in the band. The form asks each person playing if they are OK with being paid electronically or would prefer to receive cash (either is fine!). The form also asks people who are OK with being paid electronically what their payment platform (e.g. Venmo, PayPal) details are.
NOTE: This rarely happens but if our dance has to be cancelled for circumstances beyond ACD’s control* before you have left for Atlanta, this contract is considered to be null and void. If we have to cancel a dance for reasons beyond ACD’s control* after you have left for Atlanta, we will pay your travel allowance in full, even if we are able to reach you in time to turn around and go home.
*”Circumstances beyond ACD’s control” include, but may not be limited to: Closure of the Hall by our landlords, fire, flood, ice, snow, anything else that makes it unsafe to reach or enter the Hall.
TRANSPORTATION: We pay $100-$250 (per band, not per car) for travel, depending on how far a band has driven to reach our dance from their starting point on the day of the dance (see Zones below).
$100: Zone A (50-150 miles)
Includes driving from Athens, Brasstown, Birmingham
$200: Zone B (151-250 miles)
Includes driving from Asheville, Charlotte, Nashville, Knoxville, Greenville, Savannah, Huntsville
$250: Zone C (251-400 miles)
Includes driving from Raleigh, Greensboro, Memphis, Charleston, Tallahassee, Gainesville
$200: Zone D (>400 miles)
Assumes that bands coming more than 400 miles to reach Atlanta are setting up to tour in the area
We warmly welcome all two-legged traveling companions you bring with you to the dance. If band groupies, security guards, members of the paparazzi, wardrobe stylists, family members, investigative reporters, and any others who are traveling with you intend to join us in dancing to your tune, they will be expected to pay the standard entry fee at the door. If, on the other hand, they plan only to sit and listen raptly as you play they may have free entry.
Please send me a photo of the band and a link to your favorite YouTube video (to be specific, this should be a video that showcases your playing, not a video showcasing funny things that cats do). We will post the photo and YouTube video link as part of our campaign to fill the Hall the night of your dance with deliriously excited dancers. No pressure.
Please tell me whether or not you and any companion(s) traveling with the band (see “Payment to Us” above) will need housing while you are in town and, if so, how many rooms you need and their acceptable configurations (e.g. two members of the band are a couple; no members of the band are a couple but twin beds in same room are OK; unresolved snoring issues require residence in separate rooms, if not separate counties, etc.)
Please also let me know if anyone in the band is allergic (e.g. beagles, bread) or averse (e.g bologna, beer) to anything so we can avoid anything that will endanger their health or even just make them uncomfortable.
How will you be arriving in Atlanta? Have you made plans for getting yourself and your stuff around while here? Please let me know what help, if any, you are going to need.
Our Sound Wizard ju jour would like to see a copy of your stage plot. Please send it to me so that I may pass it on. We have a fairly complete mix of stage equipment on hand but will need a heads up in advance for any special requests.
Note to piano players… We have a Yamaha P90 electric keyboard with dedicated stage amp on hand. Yes, I’ve heard that most Yamaha pianos have a reputation for being shite but the P90 is apparently an exception to the rule. Among its other nice qualities, this model has some sort of setting that allows you to change the weight of the keys so that musicians who prefer to gently caress the faux-ivories and musicians who prefer to channel their inner Jerry Lee Lewis and pound feverishly away at them can be equally happy (or, for those of you who are accustomed to playing nothing but the real deal, equally unhappy). I have never personally progressed beyond Chopsticks and Heart and Soul but, according to musicians who have used it, our keyboard action is as realistic as it comes. Plus, it has “an excellent velocity curve” — whatever that means* — that makes for a “very realistic piano expressiveness.”
*A search of the internet tells me that an excellent velocity curve means it has a “graded hammer action with lower notes heavier toward the bottom, just like a real piano.” Nope. Still no clue. But it sounds like a GOOD thing.
Please be on site and loaded in by no later than 7:00pm.
1. Sound check: 7:00 – 7:30pm.
2. Dance Basics Workshop: 7:30 – 8:00pm
3. Dance Part I: 8:00 – 9:10
4. Break: 9:10 – 9:30pm
5. Dance Part II: 9:30 – 10:45pm
The break lasts the length of one live waltz followed by one recorded waltz. If you would like, you may substitute a couples dance of your style choice for the recorded waltz.
The evening’s Host will make announcements right before the last dance before the Break and that would be a great time to head off for a BioBreak if you don’t want to fight lines at the water fountain or Loo later on — particularly if you would rather engage in contra commerce (see below), take a quick turn about the dance floor, or substitute a live couples dance for the recorded waltz.
NOTE: If you plan to substitute a couples dance of your style choice for the recorded waltz please arrange this with the Sound Wizard du jour in advance so that everyone is on the same page.
We have to be completely out of the building by 11:30pm and, depending on whether or not the evening’s Caller lost track of time, we may or may not have time for a Last Waltz. If we don’t, the Sound Wizard will give you the option of playing — or not — an acoustic waltz after the last contra so that sound tear down and the last dance can occur simultaneously.
You may sell CDs, Chihuahuas or any Contra band, non-contraband items you want before/after the dance and during the break. If CD sales are still brisk when the break is due to be over we can assign someone to take over the sales for you so that business (yours) and pleasure (ours) can co-exist to our mutual satisfaction and without undue delay of either.
Unfairly, the temperature in our Hall is set for dancer comfort, not yours. Which means that in cold weather the musicians and dancers can eventually occupy parallel but non-contiguous states — specifically the states of Wisconsin and South Florida. If you are calling under these conditions I have one word for you: Layers.
On the other hand, during the warm months it can get to be a sauna in the Hall, even with fans and the AC on full tilt. This is the Deep South after all. Playing in a bathing suit is not illegal in the state of Georgia but since we dance down the road from a Baptist Church it should probably be a modest one.
Our dance community includes an extremely diverse cross-section of ages as well as ethnic, religious, political, sexual, and cultural backgrounds. We work hard to make our dance inviting to as wide a population as possible. As part of that we ask that the band refrain from hot mic jokes or statements that poke fun of any broad category of people, except Musicians. Musicians are open season.
Will you be coming into town early enough to eat dinner before the dance? There are oodles of restaurants to choose from lining the Square in downtown Decatur, one block from the dance. Unless you are planning to speak exclusively in Esperanto or have a desire for some personal”band” time, I’d love to join you. Give me a call.
After the dance is over you are welcome to join our dancers for any late nite opportunity on offer to relax, eat, and converse. Ask the evening’s Host if there are plans for a post-dance gathering anywhere in the local area.
Extensive, case-control research on the subject has revealed that it is easier to hold a Contra dance WITH a band than WITHOUT one so if I haven’t already run into you by then, please call me the moment you arrive. I will breathe easier knowing the Show Will Go On if you do. My cell phone number is 404.310.0929.
What additional information or requests do you have that, if fill-able and filled, would make your visit with us as enjoyable as possible? We look forward to dancing to your tune!
=Kimbi Hagen=
ACD Music and Mic Magician talent wrangler
c: 404-310-0929