Please email me (Kimbi Hagen) at scheduler@contradance.org or text/call me at 404-310-0929 to book a gig.
If this would be your first time calling for ACD, please include the names and contact information for three schedulers from recent dances for which you have called. Also include, if available, a link to a YouTube video of you calling.
Thank you for your interest in calling for our weekly Friday contra dance in Atlanta. The information about our dance below collectively constitutes the Atlanta Contra Dance (ACD) Caller Contract. Please contact me with any and all questions, using the contact information listed below and then send me an email accepting the terms.
= Kimbi Hagen
ACD Music & Mic Magician Talent Wrangler
ROLE TERMS:
Callers choice!
LEFT/RIGHT SHOULDER ROUND:
We prefer the use of Left (or Right) Shoulder Round, rather than Gypsy.
Unless I notify you otherwise, we will be dancing at the Decatur Recreation Center (DecRec), one block from the square in downtown Decatur at 231 Sycamore, Decatur, GA 30030. Parking is in a two story parking lot behind the public library next door to DecRec.
We dance either in the Gym (it is cooler in the summer and has better air movement) or in the Studio (it is smaller, so tends to generate more dancer energy). We MIGHT not know which space we are using until the day of the dance but a good rule of thumb when sussing out where the action will be is: “We dance where the Band is.” So, upon your arrival, look for the Band/Sound Wizards.
If you don’t already know who it is, the Band you will be playing with will be listed on the ACD website schedule. If you have a specific tune you want played during your program please let me know so that I can help you contact them at least 2-3 weeks in advance of your gig in order to ensure that they have adequate time to learn / practice it, if necessary.
Speaking of bands… musicians have a tendency to write me later with laudatory praise for any Caller who goes beyond showing them a dance card or telling them about the sort of dance they are getting ready to call to ALSO telling them before a particular dance begins if it will be one in which they (the Caller) expects to drop out early (What the Band hears: “Play a tune you really want to showcase since it won’t be competing with my voice“) or late / not at all (What the Band hears: “Play a tune with a particularly pronounced beat because this dance will be sufficiently tricky that the dancers may need extra help staying on phrase“).
Members of the ACD Steering Committee take turns hosting our Friday dances. A Host’s duties include welcoming you and the Band to the Hall, making announcements before the Break, helping new dancers find partners for their first few dances, handling emergencies, monitoring the climate control technology, and serving as a central 411 operator for questions and concerns.
The Host the evening you will be playing will be listed on the ACD website schedule.
ACD pays callers $110 for stage time plus $50 for out of town caller travel expenses. This does not include what we will pay the band or sound crew; that will be handled separately. The ACD Board has transitioned from paying in cash to paying, when possible, electronically. Once we have solidified a date on the schedule I will send you a link to the payment form asking if you are OK with being paid electronically or would prefer to receive cash (either is fine!). The form also asks people who are OK with being paid electronically what their payment platform (e.g. Venmo, PayPal) details are.
NOTE: This rarely happens but if our dance has to be cancelled for circumstances beyond ACD’s control* before you have left for Atlanta, this contract is considered to be null and void. If we have to cancel a dance for reasons beyond ACD’s control* after you have left for Atlanta, we will pay your travel allowance in full, even if we are able to reach you in time to turn around and go home.
*”Circumstances beyond ACD’s control” include, but may not be limited to: Closure of the Hall by our landlords, fire, flood, ice, snow, anything else that makes it unsafe to reach or enter the Hall.
We warmly welcome all two-legged traveling companions you bring with you to the dance. If groupies, security guards, members of the paparazzi, wardrobe stylists, family members, investigative reporters, and any others who are traveling with you intend to join us in the dance, they will be expected to pay the standard entry fee at the door. If, on the other hand, they plan to do no more than sit and listen raptly as you Call, they may have free entry.
Please tell me whether or not you and any companion(s) traveling with you (see above) will need housing while you are in town and, if so, how many rooms you need and acceptable room configurations (e.g. people traveling together are a couple; not a couple but twin beds in same room are OK; unresolved snoring issues on the part of one or more people require residence in separate rooms, if not separate counties, etc.).
Please also let me know if you are allergic (e.g. beagles, bread) or averse (e.g bologna, beer) to anything so we can avoid anything that will endanger your health or even just make you uncomfortable.
How will you be arriving in Atlanta? Please let me know what, if any, help you are going to need in transporting yourself to and from the dance.
Acoustical challenges are the responsibility of our Sound Wizard du jour, an individual from our sound pool who is paid by ACD to give undivided attention to your every sound need during sound check, the dance basics workshop, and the main event.
Unfortunately, DecRec is just as infamous for its lively acoustics as it is famous for its lively contra dancers and, despite the Sound Wizard’s best efforts, people in the back of the Hall occasionally have difficulty making out the individual words being said by the Caller, particularly if you are talking rapidly. This alone can be the cause of catastrophic line breakdown, particularly towards the beginning of a dance when the pattern has not yet had a chance to become imprinted on the dancers’ DNA. You definitely do not have to shout into the mic but please speak (relatively) slowly at first and e-n-u-n-c-i-a-t-e.
Thanks!
What special equipment requirements do you have that I should I pass on to our Sound Wizard? Our standard setup for Callers includes a handheld cordless mic, a hot spot monitor, and a callers box to stand on so you can more easily see the seemingly deaf dancers in the overcrowded center line deal with the consequences of their inaction* regarding your pleas to even up the lines — i.e. when you call a four-facing-four with butterfly whirl or a four in line down the hall followed by a star promenade.
Some visiting Callers prefer to bring their own headset or cordless mic with them. We have had mixed results with this in the past. So while you are welcome to bring your own equipment we can neither guarantee compatibility with our equipment nor sound fidelity in the Hall.
*On the subject of consequences …. Please do not request a Super Soaker, nor bring your own, to use in reinforcing the plea that dancers even up the lines. This behavior, while totally understandable, is not permitted as our landlord objects to the ensuing water damage to their floor.
See Behavior section for other things that are not permitted.
The Atlanta dance is a multi-generational mix of newbies and veterans, dance travelers and dance occasionalies. You will find our dancers to be good natured and welcoming to newcomers.
Also sociable. Highly sociable. (Read: talkative). Particularly during instruction and announcements.
Although a standard Friday night will have 60 or so dancers, on average, you can count on at least the first half of the evening to contain a heavy percentage of newcomers (occasionally carloads of them … arriving at 9:00pm).
As you may remember from your very own days as a beginner, new dancers tend to travel in packs, routinely have trouble remembering their left from their right while under pressure of Dance, tend to get completely turned around when they come back into the dance from the top or bottom of the line, may only hear the music as (at best) a background buzz, can not be relied upon to spontaneously notice that any music they DO hear has a beat to it, may be oblivious to the fact that the dance steps they are doing should be in time with that beat, and have been known to totally panic when the caller stops talking.
To top it all off, contra dance lexicon is NOT a part of the standard school curriculum in Georgia (a puzzling omission, I agree) so, as far as new dancers are concerned, you might as well be standing up on that stage spouting Greek.
For all of these reasons, our seasoned dancers are quite accustomed to having the Caller ask a set or two of them to participate in a ‘dance move demo’ during walk throughs, as needed.
One of the most frequent questions that I get from visiting Callers is: “Do Atlanta dancers like circles, squares and mixers?” The answer to that is an absolutely unambiguous: “It depends!” What our Atlanta dancers uniformly love is a heads up at least one dance in advance before a non-contra is called so they can plan their partnering (or lack of) accordingly and either thunder enthusiastically onto the floor or flee rapidly in horror from it, as individual tastes decree, without leaving anyone in the lurch.
If you do this you will find that our dancers are pretty open to circles, squares, triplets, and other alternative forms of dance. They will also not be surprised at all if you Call a mixer towards the beginning of the first half.
Beyond that, the usual conventions hold true. Because new dancers are too shy to make eye contact with their partners, and are terminally dizzy after the first hour as a result, most of them usually go home at the break. Not coincidentally, our hardest core dancers have a tendency to show up near the break, when they expect the duration of walk throughs to dwindle down towards nothing and the dance diversity and challenge level to escalate. In other words, this would be an excellent time to pull out your favorite four facing fours, contra corners, proper contras, Sicilian circles, and triple progression dances.
If you are being booked to call for one of our occasional “Zesty Contra” advanced challenge dances it means that we are counting on you to pull out all the stops and act as if the dancers are under the hypnotic impression that it is actually Saturday night at a high octane festival weekend (only cheaper and with less crowding).
There will be no beginner’s workshop and programming for these dances should include, as Atlanta Caller Seth Tepfer puts it: “Black Belt contras, no walk thru contras, strange and illicit dance formations rarely allowed to see the light of dance and all manner of things that will tease and tantalize their baser dance natures.” So feel free to explode out of the starting block with new things, push the envelope, and take creative risks — if you teach it, they’ll try it. We’ve been doing these Advanced Challenge dances for awhile now and no one has yet complained that the dances were too hard — but boy howdee do I ever hear about it later if they think the dance was “just another Friday night.”
Please arrive at the Hall no later than 7:15pm (earlier if you want to go over your program with the band). When you arrive please check in with the sound wizard du jour and confirm that sound check will be finished before the dance basics workshop is scheduled to begin at 7:30pm.
1. Sound check: 7:00 – 7:30pm.
2. Dance Basics Workshop: 7:30 – 8:00pm*
3. Dance Part I: 8:00 – 9:20
4. Break: 9:20-9:30pm**
5. Dance Part II: 9:30 – 10:45pm
*The Dance Basics workshop normally takes place in the main Hall and we prefer that you lead it. Sound check will be done before the lesson so you won’t have to shout over the band and we will have a cordless mic available so you shouldn’t have to shout at all. Please tell me in advance if you will be unavailable to lead the beginners’ lesson so that I can contact a local caller and ask them to conduct it for you.
**The Break lasts about 10 minutes — just long enough for a couple of waltzes and a bio break. You are free to engage in contra commerce (see below) or take a quick turn about the dance floor during the break.
NOTE: Some bands like to play a couples dance of their style choice instead of the second waltz, to help signal that the break is almost over. If they want to do this they should arrange that with you and the Sound Wizard in advance so that everyone is on the same page.
Feel free to use the edge of the band containment area to sell CDs or any Contra band, non-contraband items you want before/after the dance and during the break. If sales are still brisk when the break is due to be over the Host can assign someone to take over sales for you so that business (yours) and pleasure (ours) can co-exist to our mutual satisfaction and without undue delay of either.
While it is no doubt different in your own home Hall, many Atlanta contra dancers view the “Announcements” portion of the evening as their personal cue to do just about anything EXCEPT be quiet and pay attention to that evening’s Dance Host. It is not your job to fix that but you can help by tricking the dancers into facing the front of the Hall at the beginning of the last dance before the break. The weekly Dance Host will take it from there. You have permission to accomplish your task in any legal way you can think of (see comment below about the use of Tasers).
Some callers have resorted to bribes — e.g. promising a dance that involves contra corners or something else delicious after the Announcements are over if everyone stands quietly and pays attention — and while I am not saying that this has completely replaced the traditional “herding cats” competitive event (Solo class, Swiss national timing standards) to get people gathered and quiet for Announcements, it seems to help.
In Atlanta we typically have two types of dancers who are known to exhibit poor dance mechanics: 1) New dancers; 2) Experienced dancers. As far as the new dancers are concerned, even though you will no doubt have spent the entire dance basics workshop teaching them to not jerk people around (literally as well as figuratively), beginners have just about as much as they can handle simply keeping it between the lines once the music starts playing, so the occasional reminder would not be amiss.
On the other hand, a recent Gallup Poll has found that 4 out of every 5 contra dancers who have been the victim of a physically abusive 30 second dance relationship at some point in their life most commonly cite an ‘experienced dancer’ as the perpetrator. So a safe dancing reminder somewhere in the evening will be appreciated on behalf of, if not by, the dance mechanics-challenged experienced dancers as well.
Our local callers like to do their weekly safety moment by picking a move from the standard contra dance lexicon and focusing on teaching how to do it in a stylish, safe way (with the emphasis on ‘safe’). Feel free to emulate them on this.
Don’t teach dipping.
Think “layers.” Unfairly, the temperature in our Hall is set for dancer comfort, not yours. Which means that in cold weather the caller and dancers can eventually occupy parallel but non-contiguous states — specifically the states of Wisconsin and South Florida. If you are calling under these conditions I have one word for you: Layers.
On the other hand, during the warm months it can get to be a sauna in the Hall, even with fans and the AC on full tilt. This is the Deep South after all. Calling in a bathing suit is not illegal in the state of Georgia but since we dance down the road from a Baptist Church it should probably be a modest one.
As the Caller we have booked for the evening, you are representing ACD. Our dance community includes an extremely diverse cross-section of ages as well as political, ethnic, religious, sexual, and cultural identities. We work hard to make our dance inviting to as wide a population as possible. As part of that we ask that the caller refrain from jokes or statements that poke fun of any broad category of people, except Callers. Callers are open season.
This is particularly true where politics are concerned. Political affiliation has proven to be a flashpoint issue among our dancers and even innocently-intended jokes and remarks have led to Flame Wars on our listserv and FB page on more than one occasion so please channel your inner Switzerland and stay well away from the battleground.
In addition, although it may be different in other places you have called, Atlanta contra dancers just never seem to see that whole “Hands Four” request coming. Takes ’em by surprise Every. Single. Time. And while we understand that this can be a source of severe frustration to Callers, please recognize that the use of Tasers is restricted to law enforcement officers in Georgia and that, bizarrely, Georgia legal code does not include “Contra Dance Callers” on the list of people authorized to serve in that capacity.
You are being booked because your references or previous experience at our dance has shown you to be a Great Caller. Just in case you are wondering what that means exactly, some years ago I conducted an utterly unscientific, statistically meaningless straw poll (read: I listened to dancers during weekly Breaks) to identify what factors dancers think make someone a “Great Caller.” What I came up with is:
Will you be coming into town early enough to eat dinner before the dance? There are oodles of choices lining the Square in downtown Decatur, one block from the dance. Unless you are planning to speak exclusively in Esperanto or have a desire for some alone time, I’d love to join you. Just let me know in advance.
After the dance is over you are welcome to join our dancers for any late nite opportunity on offer to relax, eat, and converse. Ask the evening’s Host if there are plans for a post-dance gathering anywhere in the local area.
If you think that you might be late for any reason, please give me a call so that I can activate the Emergency Back Up Standby Caller Plan. And if I haven’t already run into you by then, PLEASE call me the moment you arrive at the Hall. Humoring me on this will help me breathe a little easier knowing the dance can actually happen now that we have a Caller in the house. Believe me, there would be a riot you’d hear about on CNN if we had to rely only on my calling abilities for a whole evening; I only know how to call one dance (Broken Sixpence) and I think people would get pretty tired of it after the first couple of hours. My cell phone number is 404.310.0929.
What additional information or requests do you have that, if fill-able and filled, would make your visit with us as enjoyable as possible?
We look forward to you keeping us on our toes!
=Kimbi Hagen=
ACD Music & Mic Magician Talent Wrangler
c) 404-310-0929
Please email Kimbi Hagen at scheduler@contradance.org or text/call me at 404-310-0929 to book a gig.
Unless you have played for CCD before, please include names and contact information for three schedulers from recent dances for which you have played. Also include, if available, a link to an MP3 file or YouTube video of your music. If you are booked to play for one of our dances, this file (or your FB / website) will be linked to your name on our web schedule.
CCD has a Band Development Committee that evaluates requests by bands that have not played our stage before. I will forward the information you send me for reference checking and then get back to you after I hear from them.
Thank you for your interest in playing for our contra dance. The information below collectively constitutes the Atlanta Contra Dance (ACD) Band Contract. Please contact me with any and all questions, using the contact information listed below, and email me to say that you accept the terms.
= Kimbi Hagen
ACD Music & Mic Magician Talent Wrangler
If you don’t already know who it is, the Caller you will be working with will be listed on the ACD website schedule. Their version of this contract stipulates that if they have a specific tune they want played during the program please they need to let you know at least 2-3 weeks in advance of your gig in order to ensure that you have adequate time to either learn / practice it, if necessary, or say “No Dice.”
Speaking of callers… Please feel free to ask them before a particular dance begins if it will be one in which they (the Caller) expects to drop out early (What this means: “Play a tune you really want to showcase since it won’t be competing with the caller’s voice“) or late / not at all (What this means: “Play a tune with a particularly pronounced beat because this dance will be sufficiently tricky that the dancers may need extra help staying on phrase“).
Unless I notify you otherwise, we will be dancing at the Decatur Recreation Center (DecRec), one block from the square in downtown Decatur at 231 Sycamore, Decatur, GA 30030.
Inside DecRec we dance either in the Gym (it is cooler in the summer and has better air movement) or in the Studio (it is smaller, so tends to generate more dancer energy). We MIGHT not know which space we are using until the day of the dance but a good rule of thumb when sussing out where the action will be is: “We dance where the Sound Wizard is.” So, upon your arrival, look for them.
We pay $330 (per band, not per person) for stage time plus a graduated amount towards travel expenses (see below). This does not include what we will pay the Caller or sound crew; that will be handled separately.
The ACD Board has transitioned from paying in cash to paying, when possible, electronically. Once we have solidified a date on the schedule I will send you a link to the payment form that you should fill out, after forwarding the link to everyone else in the band. The form asks each person playing if they are OK with being paid electronically or would prefer to receive cash (either is fine!). The form also asks people who are OK with being paid electronically what their payment platform (e.g. Venmo, PayPal) details are.
NOTE: This rarely happens but if our dance has to be cancelled for circumstances beyond ACD’s control* before you have left for Atlanta, this contract is considered to be null and void. If we have to cancel a dance for reasons beyond ACD’s control* after you have left for Atlanta, we will pay your travel allowance in full, even if we are able to reach you in time to turn around and go home.
*”Circumstances beyond ACD’s control” include, but may not be limited to: Closure of the Hall by our landlords, fire, flood, ice, snow, anything else that makes it unsafe to reach or enter the Hall.
TRANSPORTATION: We pay $120-$300 (per band, not per car) for travel, depending on how far a band has driven to reach our dance from their starting point on the day of the dance (see Zones below).
$120: Zone A (50-150 miles)
Includes driving from Athens, Brasstown, Birmingham
$240: Zone B (151-250 miles)
Includes driving from Asheville, Charlotte, Nashville, Knoxville, Greenville, Savannah, Huntsville
$300: Zone C (251-400 miles)
Includes driving from Raleigh, Greensboro, Memphis, Charleston, Tallahassee, Gainesville
$240: Zone D (>400 miles)
Assumes that bands coming more than 400 miles to reach Atlanta are setting up to tour in the area
We warmly welcome all two-legged traveling companions you bring with you to the dance. If band groupies, security guards, members of the paparazzi, wardrobe stylists, family members, investigative reporters, and any others who are traveling with you intend to join us in dancing to your tune, they will be expected to pay the standard entry fee at the door. If, on the other hand, they plan only to sit and listen raptly as you play they may have free entry.
Please send me a photo of the band and a link to your favorite YouTube video (to be specific, this should be a video that showcases your playing, not a video showcasing funny things that cats do). We will post the photo and YouTube video link as part of our campaign to fill the Hall the night of your dance with deliriously excited dancers. No pressure.
Please tell me whether or not you and any companion(s) traveling with the band (see “Payment to Us” above) will need housing while you are in town and, if so, how many rooms you need and their acceptable configurations (e.g. two members of the band are a couple; no members of the band are a couple but twin beds in same room are OK; unresolved snoring issues require residence in separate rooms, if not separate counties, etc.)
Please also let me know if anyone in the band is allergic (e.g. beagles, bread) or averse (e.g bologna, beer) to anything so we can avoid anything that will endanger their health or even just make them uncomfortable.
How will you be arriving in Atlanta? Have you made plans for getting yourself and your stuff around while here? Please let me know what help, if any, you are going to need.
Our Sound Wizard ju jour would like to see a copy of your stage plot. Please send it to me so that I may pass it on. We have a fairly complete mix of stage equipment on hand but will need a heads up in advance for any special requests.
Note to piano players… We have a Yamaha P90 electric keyboard with dedicated stage amp on hand. Yes, I’ve heard that most Yamaha pianos have a reputation for being shite but the P90 is apparently an exception to the rule. Among its other nice qualities, this model has some sort of setting that allows you to change the weight of the keys so that musicians who prefer to gently caress the faux-ivories and musicians who prefer to channel their inner Jerry Lee Lewis and pound feverishly away at them can be equally happy (or, for those of you who are accustomed to playing nothing but the real deal, equally unhappy). I have never personally progressed beyond Chopsticks and Heart and Soul but, according to musicians who have used it, our keyboard action is as realistic as it comes. Plus, it has “an excellent velocity curve” — whatever that means* — that makes for a “very realistic piano expressiveness.”
*A search of the internet tells me that an excellent velocity curve means it has a “graded hammer action with lower notes heavier toward the bottom, just like a real piano.” Nope. Still no clue. But it sounds like a GOOD thing.
Please be on site and loaded in by no later than 7:00pm.
1. Sound check: 7:00 – 7:30pm.
2. Dance Basics Workshop: 7:30 – 8:00pm
3. Dance Part I: 8:00 – 9:10
4. Break: 9:10 – 9:30pm
5. Dance Part II: 9:30 – 10:45pm
The break lasts the length of one live waltz followed by one recorded waltz. If you would like, you may substitute a couples dance of your style choice for the recorded waltz.
The evening’s Host will make announcements right before the last dance before the Break and that would be a great time to head off for a BioBreak if you don’t want to fight lines at the water fountain or Loo later on — particularly if you would rather engage in contra commerce (see below), take a quick turn about the dance floor, or substitute a live couples dance for the recorded waltz.
NOTE: If you plan to substitute a couples dance of your style choice for the recorded waltz please arrange this with the Sound Wizard du jour in advance so that everyone is on the same page.
We have to be completely out of the building by 11:30pm and, depending on whether or not the evening’s Caller lost track of time, we may or may not have time for a Last Waltz. If we don’t, the Sound Wizard will give you the option of playing — or not — an acoustic waltz after the last contra so that sound tear down and the last dance can occur simultaneously.
You may sell CDs, Chihuahuas or any Contra band, non-contraband items you want before/after the dance and during the break. If CD sales are still brisk when the break is due to be over we can assign someone to take over the sales for you so that business (yours) and pleasure (ours) can co-exist to our mutual satisfaction and without undue delay of either.
Unfairly, the temperature in our Hall is set for dancer comfort, not yours. Which means that in cold weather the musicians and dancers can eventually occupy parallel but non-contiguous states — specifically the states of Wisconsin and South Florida. If you are calling under these conditions I have one word for you: Layers.
On the other hand, during the warm months it can get to be a sauna in the Hall, even with fans and the AC on full tilt. This is the Deep South after all. Playing in a bathing suit is not illegal in the state of Georgia but since we dance down the road from a Baptist Church it should probably be a modest one.
Our dance community includes an extremely diverse cross-section of ages as well as ethnic, religious, political, sexual, and cultural backgrounds. We work hard to make our dance inviting to as wide a population as possible. As part of that we ask that the band refrain from hot mic jokes or statements that poke fun of any broad category of people, except Musicians. Musicians are open season.
Will you be coming into town early enough to eat dinner before the dance? There are oodles of restaurants to choose from lining the Square in downtown Decatur, one block from the dance. Unless you are planning to speak exclusively in Esperanto or have a desire for some personal”band” time, I’d love to join you. Give me a call.
After the dance is over you are welcome to join our dancers for any late nite opportunity on offer to relax, eat, and converse. Ask the evening’s Host if there are plans for a post-dance gathering anywhere in the local area.
Extensive, case-control research on the subject has revealed that it is easier to hold a Contra dance WITH a band than WITHOUT one so if I haven’t already run into you by then, please call me the moment you arrive. I will breathe easier knowing the Show Will Go On if you do. My cell phone number is 404.310.0929.
What additional information or requests do you have that, if fill-able and filled, would make your visit with us as enjoyable as possible? We look forward to dancing to your tune!
=Kimbi Hagen=
ACD Music and Mic Magician talent wrangler
c: 404-310-0929
